Editor's Picks + Features

96981468_a0f0402afb

My Toronto Video Contest Voting Page

Example description of page.

4843752478_f5b5e2cc1b_b

A 72 Year Crossing at Yonge and Bloor

"A 72 Year Crossing at Yonge and Bloor" Comparative...

4837950162_c923bb1d6e

STREET SCENE: Linux Cafe

Street Scene will appear each week showcasing the...

IMG_0702

Farm Friday: Evergreen Brick Works

Name: Evergreen Brick Works Farmers' Market Location:...

4662198802_8615cf0d2d_b

SPACING VOTES WEEKLY: Coach Ford, Smitherman walks & a heated TV debate

EDITOR’S NOTE: Spacing Votes — our dedicated 2010...

spacing-radio-votes-smither

SPACING RADIO: Smitherman talks walking, while walking

LISTEN TO THIS SPACING RADIO PODCAST George Smitherman...

congestion_referendum

IDEAS FOR TORONTO: Infrastructure referendums

The Toronto City Summit Alliance held a roundtable...

4790754465_e783015c3d_z

Bike parking takes over car parking spaces

Toronto bike riders can celebrate a "first" today:...

4706528245_ef676de151_b

Cities for People — New Toronto design intervention

This is part of a series of posts by students in...

3677103134_da0a274434_z

LORINC: Greenwashing by any other name

I normally have a lot of time for the Toronto Environmental...

4814694220_7da9ea9331

World Wide Wednesday: Maps, Trains, Trikes and Three Million on the A40

Each week we will be focusing on blogs from around...

HOT DOCS Review: Tehran Has No More Pomegranates

pomagranate.jpg

As the introduction to Tehran Has No More Pomegranates declares, the film is “a musical, historical, comedy, docu-drama, love story, experimental film.” This statement aptly captures the mish-mash of film footage, photographs, interviews, people and music that all together make up the subtle love-hate relationship that director Massoud Bakhshi has with his subject, Tehran.

The film follows the narrator's unusual search for the most important thing in Tehran. His search, albeit seemingly innocent, offers an analysis of this crowded, polluted and congested city. In pointing out the various great things in Tehran for the coveted most important thing title, Bakhshi succeeds in highlighting the problems with this enormous city: cars, architecture, pollution, and even sheep are considered for the great prize. However, what makes this film appealing is its artful and comic critique. The director manages to infuse an innocence and naiveté into the piece that allows for an understated -- but to the point -- critique that is often humorous, as opposed to scathing and in-your-face.

This is a film of contrasts and comparisons. It uses images of a modern Tehran juxtaposed against archival footage of the early settlement of the area to show the evolution (and deterioration) of this megalopolis. This collage-type method makes for an interesting visual account the development of Tehran — a city the narrator likens to Tokyo, London, Paris, and New York. Like these great cities, Tehran suffers from congestion, overcrowding and urban sprawl. But unlike these great cities, Tehran is the victim of a haphazard building boom that has no appreciation of historical architecture, produces poor infrastructure, and amplifies the divide between rich and poor. The film is, in some ways, a lament for what Tehran has become. But in other ways, it is also a lament for what Tehran never was.

Tehran Has No More Pomegranates has its HOT DOCS premier today at 7:15 pm at the ROM. It will be showing again on April 24, 1:30 pm at Innis Town Hall.

Photo by Sharar Evron

 

Comments

Neither the author nor Spacing necessarily agree with the comments posted below. Spacing reserves the right to edit or delete comments entirely. See our Comment Policy.

 
Post a comment
HOT DOCS Review: Tehran Has No More Pomegranates
By